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Freddie Hubbard—Can’t Let Her Go—High Blues Pressure—Atlantic 1968
Freddie Hubbard—Nostrand and Fulton—Here To Stay—Blue Note 1962
Betty Hall Jones—This Joint’s Too Hip For Me—Jumpin’ Like Mad—Capital 1949
James Moody—Bloozey—Live At The Jazz Workshop—Argo/Cadet 1961
Shirley Horn—Our Love Is Here To Stay—Violets For Your Furs—Steeplechase 1981
Shelly Manne—The Sicks Of Us—2,3,4—Impulse 1962
Robert Glasper—Beatrice—In My Element—Blue Note 2007
Charles Mingus—Better Git It In Your Soul—Mingus Ah Um—
Moacir Santas—
Vinson Valega Group—This Is What Democracy Sounds Like (Part I) & Undertow—Awake—Consilience 2005
Bennie Wallace—All Night Dance—Twilight Time—Blue Note 1985
Howard Alden—Upper Manhattan Medical Group—Take Your Pick—
Brad Goode—Just In Time—Nature Boy—Delmark 2008
The Bebop Boys—Blues In Bebop—
Andrew Hill—Cascade—Passing Ships—Blue Note 1969
Helen Merrill—My Funny Valentine—A Shade Of Difference—Milestone 1968
Mary Lou Williams—Round Midnight—First Lady Of The Piano—Inner City 1953
Joey DeFrancesco—Down The Hatch—Organic Vibes—Concord 2006
Miles Davis Quintet—Freedom Jazz Dance—Miles Smiles—
Bert Dahlander
“How Do You Do”
Jazz With A Swedish Accent
1976
Result: Treasure! 6 Treasure Votes to 1 Trash Votes
Two Of A Kind Entry
The composition Tennessee Waltz, composed by Redd Stewart and Pee Wee King
Version 1: Bennie Wallace from the recording Twilight Time, Blue Note 1985
Version 2: Rene Marie from the recording How Can I Keep From Singing?, MaxJazz 2000
2 Comments:
As I was saying about reaching, think of Bert's ensemble as an offense stopped at the goal line, the accordion is the football not quite in the end zone.
Yes, the one dissenting vote. I actually feel the accordion PUT him into the end zone. It gave the tune a little more spice. Thanks for your call and for listening during the Super Bowl. Many callers said the same, which made me darn happy. AR's post-it was priceless about that record cover.
Dig it.
K
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